http://bobmust.wordpress.com/2013/09/06/coal-country-and-the-strength-of-coal-women-an-interview-with-rebecca-elswick/
I was recently interviewed by Appalachian author Bob Mustin. You can visit his blog "Gridey Fires" and read the interview at the above address. I have also copied it below. Thanks, Bob!
This is the third in
Gridley Fires’ series of
indie author interviews.
These interviews are with authors whose work
shows great promise but still haven’t latched onto that larger audience.
Hopefully these interviews will give the authors and their work a bit
of a shove in the right direction. Rebecca Elswick, the subject of this
interview, has had the
earned fortune to have had a fine novel,
Mama’s Shoes,
published as a result of a Writer’s Digest contest. We think her
insights into writing technique – as well as into her work itself – are
certainly worth sharing here.
Gridley Fires: You’ve written a novel that spans
quite a bit of time, including the World War II era. How did you decide
to structure it as you did, moving back and forth in time, from the
various characters’ points of view?
Rebecca Elswick: I wanted to begin the novel with
Sassy’s point of view at an age when she would become aware that her
mother was not like the other mothers in Coal Valley, so I decided to
begin the story in the middle, after giving the reader a glimpse of
Sylvia at age sixteen. This juxtaposed the world Sylvia anticipated at
age sixteen with the world she ended up in at age thirty, leaving the
reader to wonder – what happened?
GF: It seems you’ve given both Sylvia and Sassy
equal time in this novel. Did you intend that, or do you consider one of
them the primary character?
RE: Sylvia is the main character, but I wanted the
story to be told from different points of view with the primary voice
being her daughter, Sassy. I wanted to apply that old saying ‘there’s
three sides to every story – mine, yours, and the truth.
GF: Madge is a character unlike others in your
book. How did you come up with her? As you look at her now, did she
serve her intended purpose(s)?
RE: I am the daughter of a beautician and much of
my “beauty shop” story is based on my memories of the beauty shops where
my mama worked. Like Sassy, I would empty the ashtrays and fold towels
and do other jobs, and like Sassy, I would listen to the women talk.
There always seemed to be a “Madge” beautician in these places. She was
the one who didn’t care what she said or to whom she said it. I wanted
to have a character like that who would champion Sylvia. Madge served as
my message that family doesn’t always mean blood kin. Madge was as much
Sylvia and Sassy’s family as Aunt Hat. I also wanted a character who
was more “Appalachian” than the others in her speech, upbringing, and
actions.
GF: Sassy’s friend Kitty and her family are
clearly there for comparison to Sylvia and Sassy. How would you
characterize this comparison?
RE: Kitty and her family were important for
two reasons: they were the key to Sassy’s past and therefore,
Sylvia’s secret, and they were Sassy’s window to the outside world.
GF: You also deal with women’s issues, at least
by implication. Do you see women’s social conditions as having improved
since the time of your novel?
RE: It was important to me to portray my characters
as strong, Appalachian women who were survivors in a place where life
was harsh. These women came to the beauty shop when the coal mines were
working and their husbands had money, and they stayed away when they
didn’t. Getting their hair done every now and then was the only thing
they ever did for themselves. I also wanted to explore post-partum
depression or the “baby blues or birthing blues” as they were called at
that time. I wanted to show how women were expected to bear this quietly
or as Madge told Sylvia her mother said you were supposed to ‘suck it
up and put your shoulder to the plow.’ Even before Sylvia’s husband dies
in the war, it’s the post-partum depression that almost destroys her.
GF: Were you to place Sylvia in today’s world, how would she be different than in Mama’s Shoes?
RE: Women have so many more options than Sylvia did
in the1940s and 50s. When Sylvia found herself at age sixteen, with
both parents dead and nobody but a maiden aunt who lived across the
country to care for her, she chose to marry a man almost ten years older
than her. Sylvia had no hope of college or even high school in her day.
GF: I know you live in the southern
Appalachians, in “coal country,” as you term it, and your novel is set
there. Did you learn much about that area in your research for the
novel, and in the writing?
RE: I did a tremendous amount of research because I
wanted to portray this time in history correctly since it was a bit
before my time! I researched the WWII information and used my father’s
path through WWII for my character Gaines. My father was indeed, General
Patton’s driver. I wanted Coal Valley to ring true like the coal mining
towns around southwestern Virginia, eastern Kentucky, and southern West
Virginia during the 1940S and 1950s. My grandfather was a coal miner
and I had numerous stories to draw from from the people who lived in
Grundy during this time.
GF: Are there more novels in your future? If so, what can you tell your readers about a next project?
RE: I have just completed my second novel. It takes
place in a modern day Coal Valley. Two women meet on the day their
daughters start kindergarten. One is born and raised in Coal Valley; the
other is from the city, her husband dean of the new law school. Though
opposites, they share one thing in common, they want to leave their
husbands but for their daughters’ sake they cannot. They make a pact to
leave their husbands when their daughters graduate from high school. The
character from Coal Valley is the great granddaughter of Granny Zee
(the mountain granny woman who delivers Sylvia in
Mama’s Shoes).
Her grandmother, also called Granny Zee, is a healer, herself. She knows
all of the mountain plants and makes healing remedies from them. She
also has the gift of speaking to spirits.
This book took an incredible amount of research about the healing
properties of the plants native to this area and how Appalachian women
used them.
GF: Reading often gives a writer who reads a lot
of different perspectives on what goes into a well-received novel or
short story collection. In that vein, what advice do you have for
writers trying to enter the modern publishing world?
RE: Read EVERYTHING. You must read constantly in
all genres, and read like a writer. Examine what you read and study how
other authors use the language. Go to writer’s workshops and network
with writers. The thing that has been such a part of my career is
contests! I took the advice of author Silas House who said enter
contests. I have won numerous contests and
Mama’s Shoes was published by Writer’s Digest as the result of my winning a contest in their magazine.